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The Tatler
21 of 121
up, tearing his hair, and then threw himself upon the bleeding carcass, crying, "Ah, Valentine! Was it for me, who have so barbarously used thee, that thou hast died? I will not Jive after thee." He was not by any means to be forced from the body, but was removed with it bleeding in his arms, and attended with tears by all their comrades, who knew their enmity. When he was brought to a tent, his wounds were dressed by force; but the next day, still calling upon Valentine, and lamenting his cruelties to him, he died in the pangs of remorse and despair. It may be a question among men of noble sentiments, whether of these unfortunate persons had the greater soul; he that was so generous as to venture his life for his enemy, or he who could not survive the man that died, in laying upon him such an obligation? When we see spirits like these in a people, to what heights may we not suppose their glory may arise, but (as it is excellently observed by Sallust[121]) it is not only to the general bent of a nation that great revolutions are owing, but to the extraordinary genios[122] that lead them. On which occasion he proceeds to say that the Roman greatness was neither to be attributed to their superior policy, for in that the Carthaginians excelled; nor to their valour, for in that the French were preferable; but to particular men, who were born for the good of their country, and formed for great attempts. This he says, to introduce the characters of Cassar and Cato. It would be entering into too weighty a discourse for this place, if I attempted to show that our nation has produced as great and able men for public affairs, as any other. But I believe the reader outruns me, and fixes his imagination upon the Duke of Marlborough. It is, methinks, a pleasing reflection, to consider the dispensations of Providence in the fortune of this illustrious man, who, in the space of forty years, has passed through all the gradations of human life, till he has ascended to the character of a prince, and become the scourge of a tyrant, who sat in one of the greatest thrones of Europe, before the man who was to have the greatest part in his downfall had made one step in the world.[123] But such elevations are the natural consequences of an exact prudence, a calm courage, a well-governed temper, a patient ambition, and an affable behaviour. These arts, as they are the steps to his greatness, so they are the pillars of it now it is raised. To this her glorious son, Great Britain is indebted for the happy conduct of her arms, in whom she can boast, she has produced a man formed by nature to lead a nation of heroes. [Footnote 114: Edward Richard Montagu, styled Viscount Hinchinbroke, who died before his father, on October 3, 1722, was the only son of Edward, third Earl of Sandwich. He was born about 1690, and became colonel of the First Regiment of Foot Guards, and Lord Lieutenant of Huntingdonshire. In 1707, he married Elizabeth, daughter of Alexander Popham, of Littlecot, Wilts, and of Anne, daughter of the first Duke of Montagu. (See Nos. 1, 22, 35, 85, and the _Lover_, No. 38.)] [Footnote 115: These lines are part of a song by Lord Cutts, under whom Steele had served as secretary when in the army. The verses will be found in Nichols' "Select Collection" (1780), ii. 327.] [Footnote 116: Passion Week.] [Footnote 117: First published as "By a Person of Quality." "The gentleman I here intended was Dr. Swift, this kind of man I thought him at that time. We have not met of late, but I hope he deserves this character still." (Steele's "Apology," 1714.) This pamphlet is closely in accord with the _Tatler_ in its condemnation of gaming, drunkenness, swearing, immorality on the stage, and other evils of the time. Swift suggests, too, a revival of censors.] [Footnote 118: Forster suggests that it was Addison.] [Footnote 119: See No. 1.] [Footnote 120: This phrase, as well as Unnion's forgetting his wound, is criticised in a little book called, "Annotations on the _Tatler_, in two parts," 12mo, said to have been written originally in French by Monsieur Bournelle, and translated into English by Walter Wagstaff, Esq. London, Bernard Lintott, 1710. The annotator goes no farther with his annotations than to _Tatler_ No. 83. See Nos. 78, 191.] [Footnote 121: "Bell. Catal.," c. 53.] [Footnote 122: "A man of a particular turn of mind" (Johnson).] [Footnote 123: In 1705, after the battle of Blenheim, Marlborough was made Prince of Mildenheim by the Emperor. Lewis XIV. succeeded to the French throne in 1643; Marlborough was born in 1650.] No. 6. [STEELE. From _Thursday, April 21_, to _Saturday, April 23_, 1709. * * * * * Will's Coffee-house, April 22. I am just come from visiting Sappho,[124] a fine lady, who writes verses, sings, dances and can say and do whatever she pleases, without the imputation of anything that can injure her character; for she is so well known to have no passion but self-love, or folly, but affectation; that now upon any occasion they only cry, "'Tis her way," and "That's so like her," without further reflection. As I came into the room, she cries, "O Mr. Bickerstaff, I am utterly undone! I have broke that pretty Italian fan I showed you when you were here last, wherein were so admirably drawn our first parents in Paradise asleep in each other's arms." But there is such an affinity between painting and poetry, that I have been improving the images which were raised by that picture, by reading the same representation in two of our greatest poets. Look you, here are the passages in Milton and in Dryden. All Milton's thoughts are wonderfully just and natural, in this inimitable description which Adam makes of himself in the eighth book of "Paradise Lost." But there is none of them finer than that contained in the following lines, where he tells us his thoughts when he was falling asleep a little after his creation. _While thus I called, and strayed I know not whither, From whence I first drew air, and first beheld This happy light; when answer none returned, On a green shady bank, profuse of flowers, Pensive I sate me down, there gentle sleep First found me, and with soft oppression seized My drowned sense, untroubled, though I thought
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