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The Story of a Bad Boy
22 of 75
"Bats!" exclaimed Harry Blake. 'Cats!" suggested Jack Harris. "Who's afraid?" Well, the truth is, we were all afraid; and if the pole of the stage had not been lying close to the threshold, I don't believe anything on earth would have induced us to cross it. We seized hold of the pole-straps and succeeded with great trouble in dragging the coach out. The two fore wheels had rusted to the axle-tree, and refused to revolve. It was the merest skeleton of a coach. The cushions had long since been removed, and the leather hangings, where they had not crumbled away, dangled in shreds from the worm-eaten frame. A load of ghosts and a span of phantom horses to drag them would have made the ghastly thing complete. Luckily for our undertaking, the stable stood at the top of a very steep hill. With three boys to push behind, and two in front to steer, we started the old coach on its last trip with. little or no difficulty. Our speed increased every moment, and, the fore wheels becoming unlocked as we arrived at the foot of the declivity, we charged upon the crowd like a regiment of cavalry, scattering the people right and left. Before reaching the bonfire, to which someone had added several bushels of shavings, Jack Harris and Phil Adams, who were steering, dropped on the ground, and allowed the vehicle to pass over them, which it did without injuring them; but the boys who were clinging for dear life to the trunk-rack behind fell over the prostrate steersman, and there we all lay in a heap, two or three of us quite picturesque with the nose-bleed. The coach, with an intuitive perception of what was expected of it, plunged into the centre of the kindling shavings, and stopped. The flames sprung up and clung to the rotten woodwork, which burned like tinder. At this moment a figure was seen leaping wildly from the inside of the blazing coach. The figure made three bounds towards us, and tripped over Harry Blake. It was Pepper Whitcomb, with his hair somewhat singed, and his eyebrows completely scorched off ! Pepper had slyly ensconced himself on the back seat before we started, intending to have a neat little ride down hill, and a laugh at us afterwards. But the laugh, as it happened, was on our side, or would have been, if half a dozen watchmen had not suddenly pounced down upon us, as we lay scrambling on the ground, weak with mirth over Pepper's misfortune. We were collared and marched off before we well knew what had happened. The abrupt transition from the noise and light of the Square to the silent, gloomy brick room in the rear of the Meat Market seemed like the work of enchantment. We stared at each other, aghast. "Well," remarked Jack Harris, with a sickly smile, "this is a go!" "No go, I should say," whimpered Harry Blake, glancing at the bare brick walls and the heavy ironplated door. "Never say die," muttered Phil Adams, dolefully. The bridewell was a small low-studded chamber built up against the rear end of the Meat Market, and approached from the Square by a narrow passage-way. A portion of the rooms partitioned off into eight cells, numbered, each capable of holding two persons. The cells were full at the time, as we presently discovered by seeing several hideous faces leering out at us through the gratings of the doors. A smoky oil-lamp in a lantern suspended from the ceiling threw a flickering light over the apartment, which contained no furniture excepting a couple of stout wooden benches. It was a dismal place by night, and only little less dismal by day, tall houses surrounding "the lock-up" prevented the faintest ray of sunshine from penetrating the ventilator over the door-long narrow window opening inward and propped up by a piece of lath. As we seated ourselves in a row on one of the benches, I imagine that our aspect was anything but cheerful. Adams and Harris looked very anxious, and Harry Blake, whose nose had just stopped bleeding, was mournfully carving his name, by sheer force of habit, on the prison bench. I don't think I ever saw a more "wrecked" expression on any human countenance than Pepper Whitcomb's presented. His look of natural astonishment at finding himself incarcerated in a jail was considerably heightened by his lack of eyebrows.
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