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The Mettle of the Pasture
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courtinge. Ye eyes, ye hair, ye feet, ye dimple, ye whole trunk, are of no account if they do not lead up to ye kiss. There are two kinds of ye kiss: ye kiss that ye give and ye kiss that ye take. Ye kiss that ye take is ye one ye want. Ye woman often wishes to give ye man one but cannot; and ye man often wishes to take one (or more) from ye woman but cannot; and between her not being able to give and his not being able to take, there is suffering enough in this ill-begotten and ill-sorted world. Ye greatest enemy of ye kiss that ye earth has ever known is ye sun; ye greatest friend is ye night_. "_Ye most cases where ye woman can take ye kiss are put down in ye 'Big Booke_.' "_When ye man lies sick in ye hospital and ye woman bends over him and he is too weak to raise his head, she can let her head fall down on his; it is only the law of gravitation. But not while she is giving him ye physick. If ye woman is riding in ye carriage and ye horses run away; and ye man she loves is standing in ye bushes and rushes out and seizes ye horses but is dragged, when he lies in ye road in ye swoon, ye woman can send ye driver around behind ye carriage and kiss him then--as she always does in ye women their novels but never does in ye life. There is one time when any woman can freely kiss ye man she loves: in ye dreame. It is ye safest way, and ye best. No one knows; and it does not disappoint as it often does disappoint when ye are awake_. "_Lastly when ye beautiful swain that ye woman loved is dead, she way go into ye room where he lies white and cold and kiss him then: but she waited too long_." Marguerite let the book fall as though an arrow had pierced her. At the same time she heard the librarian approaching. She quickly restored the volume to its place and drew out another book. The librarian entered the alcove, smiled at Marguerite, peeped over her shoulder into the book she was reading, searched for another, and took it away. When she disappeared, Marguerite rose and looked; Lady Bluefields was gone. She could not banish those heart-breaking words: "_When ye beautiful swain that ye woman loved is dead_." The longing of the past days, the sadness, the languor that was ecstasy and pain, swept back over her as she sat listening now, hoping for another footstep. Would he not come? She did not ask to speak with him. If she might only see him, only feel him near for a few moments. She quitted the library slowly at last, trying to escape notice; and passed up the street with an unconscious slight drooping of that aerial figure. When she reached her yard, the tree-tops within were swaying and showing the pale gray under-surfaces of their leaves. A storm was coming. She turned at the gate, her hat in her hand, and looked toward the cloud with red lightnings darting from it: a still white figure confronting that noonday darkness of the skies. "Grandmother never loved but once," she said. "Mamma never loved but once: it is our fate." III "Anna," said Professor Hardage that same morning, coming out of his library into the side porch where Miss Anna, sitting in a green chair and wearing a pink apron and holding a yellow bowl with a blue border, was seeding scarlet cherries for a brown roll, "see what somebody has sent _me_." He held up a many-colored bouquet tied with a brilliant ribbon; to the ribbon was pinned an old-fashioned card. "Ah, now, that is what comes of your being at the ball," said Miss Anna, delighted and brimming with pride. "Somebody fell in love with you. I told you you looked handsome that night," and she beckoned impatiently for the bouquet. He surrendered it with a dubious look. She did not consider the little tumulus of Flora, but devoured the name of the builder. Her face turned crimson; and leaning over to one side, she dropped the bouquet into the basket for cherry seed. Then she continued her dutiful pastime, her head bent so low that he could see nothing but the part dividing the soft brown hair of her fine head. He sat down and laughed at her: "I knew you'd get me into trouble." It was some moments before she asked in a guilty voice: "What did you _do_?" "What did you tell me to do?" "I asked you to be kind to Harriet," she murmured mournfully. "You told me to take her out into the darkest place I could find and to sit there with her and hold her hand." "I did not tell you to hold her hand. I told you to _try_ to hold her hand." "Well! I builded better than you knew: give me my flowers." "What did you do?" she asked again, in a voice that admitted the worst. "How do I know? I was thinking of something else! But here comes Harriet," he said, quickly standing up and gazing down the street. "Go in," said Miss Anna, "I want to see Harriet alone." "_You_ go in. The porch isn't dark; but I'll stay here with her!" "Please." When he had gone, Miss Anna leaned over and lifting the bouquet from the sticking cherry seed tossed it into the yard--tossed it _far_. Harriet came out into the porch looking wonderfully fresh. "How do you do, Anna?" she said with an accent of new cordiality, established cordiality. The accent struck Miss Anna's ear as the voice of the bouquet. She had at once discovered also that Harriet was beautifully dressed--even to the point of wearing her best gloves. "Oh, good morning, Harriet," she replied, giving the yellow bowl an unnecessary shake and speaking quite incidentally as though the visit were not of the slightest consequence. She did not invite Harriet to be seated. Harriet seated herself. "Aren't you well, Anna?" she inquired with blank surprise. "I am always well." "Is any one ill, Anna?" "Not to my knowledge." Harriet knew Miss Anna to have the sweetest nature of all women. She realized that she herself was often a care to her friend. A certain impulse inspired her now to give assurance that she had not come this morning to weigh her down with more troubles. "Do you know, Anna, I never felt so well! Marguerite's ball really brought me out. I have turned over a new leaf of destiny and I am going out more after this. What right has a woman to give up life so soon? I shall go out more, and I shall read more, and be a different woman, and cease worrying you. Aren't women reading
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