Fantasy Football Challenge - Football Fanatics Library

Fantasy Football Challenge - Library of Books for Football Fanatics

Fantasy Football Challenge presents
Men of the Bible

11 of 47

the acclamations of the people, we see the Old Testament counterpart to the New Testament narrative, which tells how Christ Jesus entered Jerusalem as its king, while the people met Him with welcomes, and with palms, and children sang His praises. And in both is a symbol of His advent to every heart, and, if He be but welcomed as rightful king, He will take to Himself His power, and reign. HIRAM, THE INSPIRED ARTIFICER BY REV. W. J. TOWNSEND, D.D. The Temple of Solomon was the crown of art in the old world. There were temples on a larger scale, and of more massive construction, but the enormous masses of masonry of the oldest nations were not comparable with the artistic grace, the luxurious adornments, and the harmonious proportions of this glorious House of God. David had laid up money and material for the great work, but he was not permitted to carry it out. He was a man of war, and blood-stained hands were not to build the temple of peace and righteousness. Solomon was the providential man for such an undertaking. He had large ideas, a keen sense of beauty, generous instincts, a religious nature, a literary training, and a highly cultivated mind. He was in peaceful alliance with surrounding nations, many of whom would be drawn into requisition for the suitable materials. They had to supply the cedar wood, iron, copper, brass, tin, gold, silver, and the rich fabrics which have made proverbial the sumptuous and beautiful raiment and decorations of those times, with the rarest marbles that the quarries of Lebanon and Bezetha could contribute. So with the thousands of busy builders and artificers, "Like some tall palm, the graceful fabric grew," until it stood complete on Mount Moriah, an inspiration to the people, a continual benediction to the nation, and the envy of many a covetous conqueror. The name of one man only has been handed down the ages as having specially signalised himself in the decoration of the temple. Solomon must procure the best of human talent and genius for the perfection of the work he meditated. Therefore he not only made a treaty with Hiram, King of Tyre, for supplies of material, but of workmen, and chief of these, one whose artistic productions were to be the best adornments of the House of God for succeeding centuries. He was a tried veteran in decorative work, an expert in almost every kind of art, and fit to be placed in the position of chief superintendent of so superb a building. The King of Tyre sent to Solomon a testimony which was eloquent in his praise: "_I have sent a cunning man endued with understanding . . . . the son of a woman of the daughters of Dan, his father was a man of Tyre, skilful to work in gold, and in silver, in brass, in iron, in stone, and in timber, in purple, in blue, and in fine linen, and in crimson; also to grave any manner of graving, and to find out every device_" (2 Chron. ii. 13, i4). Another record says: "_He was filled with wisdom, and understanding, and cunning to work all works in brass_" (1 Kings vii. 14). It is a significant fact in the history that Hiram, this expert artificer, bearing the same name as his king, should have had an Israelitish mother, and a Gentile father who had also been a worker in metal. Thus he got his artistic taste and training from the father, his religious knowledge and sympathy from the mother. Religious feeling and sympathy he certainly had, as his magnificent work in the temple fully demonstrated. Hiram constructed of bright, burnished brass, an immense laver, called "a molten sea," to be used for the ablutions of the priests. It was capable of containing from fifteen to twenty thousand gallons of water, and the ornamentation was elaborate exceedingly. Under the brim were two rows of balls or bosses, encircling the laver. Twelve oxen, three looking in four different directions, supported it, and the brim was wrought like the brim of a cup with flowers of lilies. Beyond this, there were ten lavers, smaller in size, for the washing of such things as were offered in sacrifice. These were carefully decorated with lions, oxen, and cherubim on the borders of the ledges. They stood upon bases, measuring 6 feet by 4 1/2 feet, ornamented carefully on each side with garlands hanging in festoons, literally, "garlands, pensile work." Each base had brasen wheels attached, with brasen axletrees, and brackets which stretched from the four upper corners of the bases to the outward rim of the laver. All the furnishings were also made by Hiram, such as pots, basons, shovels; probably also the golden altar, and table, with the seven-branched lamp stands, of which there were ten, of beautiful construction and ornamentation. But the most glorious work of Hiram was the construction of the two majestic brasen pillars, called Jachin and Boaz, They were stately in height, the shaft of each measuring 27 feet, a base of 12 feet, and two capitals of 13 1/2 feet, thus the whole height of each pillar being 52 1/2 feet. The decoration was equally graceful and elaborate, especially upon the capitals. The lower capitals had a fine network over the whole, and chain-work hanging in festoons outside. There were also pomegranates wrought upon them. The upper capitals, forming a cornice to the whole pillar, were ornamented with lily-work. At Persepolis there still stands a pillar, the cornice of which is carved with three rows of lily leaves. These pillars were esteemed the most important ornaments in the magnificent temple, the erection of which was the best feature of Solomon's reign. They were of such prominent importance that a name was affixed to each of them. One was called "Jachin," which means, "he will establish," the other was called "Boaz," which means "in strength." The ideas involved are stability and strength. Possibly the Psalmist had these pillars in his mind when he wrote, "_Strength and beauty are in His sanctuary_" (Ps. xcvi. 6); strength first, then beauty; strength as the foundation of divine work, then beauty, graceful finish, and ornament. Hiram was an inspired artist and artificer. He was "_filled with wisdom and understanding, and cunning to work_." We are told the same as to the great decorative workers of the Tabernacle, concerning whom the Lord said:

11 of 47 pages. Go to page:

Go to this Book's Directory Page